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Sukumar Ray A Mystic Author - Sadhguru

Sadhguru on his Jayanti shows utmost gratitude and respect. He says Sukumar Ray’s verses dance between humour and mysticism, inviting readers to discover the sacred truths concealed beneath playful nonsense. In the laughter of children and the whimsy of his characters, Sukumar Ray whispers the profound mysteries of existence, hidden within the fabric of absurdity.

Sukumar Roy A Mystic Author - Sadhguru | Wisdom Article by Sadhguru | Shree Siddhashram

Article | Bolpur | October 30, 2024



Sadhguru- A Mystic Yogi of Gyangunj, A Visionary

Sadhguru: Sukumar Ray, an icon of Bengali literature, was not only a pioneer in children’s literature but also a brilliant satirist and poet who possessed a whimsical imagination. Born on 30th October 1887 in Kolkata, his works, particularly the collection Abol Tabol, introduced readers to a world of laughter and eccentricity, and his playful language innovations carved out a unique genre. Though his career was tragically brief due to his untimely death from blackwater fever in 1923, Sukumar’s legacy endures, with his works being treasured as literary masterpieces that transcend age and culture. His imaginative creations, including nonsensical creatures and thought-provoking satire, bring timeless joy to children and adults alike. Ray’s influence extended to his son, Satyajit Ray, who would go on to become one of India’s greatest filmmakers and carry forward his father’s artistic and literary spirit.


2. Family Background and Early Life

Sukumar Ray was born into a family steeped in artistic and intellectual pursuits. His father, Upendrakishore Ray Chowdhury, was a writer, musician, and a pioneer in printing technology, owning the U. Ray and Sons publishing house. This environment allowed Sukumar to grow amidst creativity and innovation, giving him access to books, ideas, and various forms of art that shaped his formative years. Upendrakishore, being a follower of the Brahmo Samaj—a reformist movement in Hinduism that advocated for rationality and humanism—instilled in Sukumar a progressive outlook, which is reflected in his own critical stance toward rigid social structures.


Ray’s education was marked by brilliance; he excelled academically and attended Presidency College, Kolkata, where he pursued his passion for literature and science. His talents extended beyond literature—he studied photography and printing in England, an endeavour that helped him bring his father’s printing business into a new era. These varied interests coalesced into a unique literary voice that would challenge norms and encourage readers to see the world through a lens of curiosity and humour.


Sukumar Ray’s verses dance between humour and mysticism, inviting readers to discover the sacred truths concealed beneath playful nonsense. In the laughter of children and the whimsy of his characters, Sukumar Ray whispers the profound mysteries of existence, hidden within the fabric of absurdity.

3. Literary Style and Language Innovation

Sukumar Ray’s style was unlike anything Bengali literature had seen. His use of nonsense verse, humour, and satire pushed the boundaries of the language, breaking away from solemnity to create a space for lighthearted wit. His verses are rhythmically enchanting, filled with rhymes and playful language that appeal to both children and adults. In the collection Abol Tabol, Ray used bizarre creatures with funny names and personalities that often reflect human flaws and social contradictions. This stylistic approach drew on the absurdity and nonsense that Victorian writers like Edward Lear had popularized but reimagined for Bengali audiences with a uniquely local flavour.


Ray’s works employ a rhythmic flow and a seemingly simple vocabulary that masks deep insights. Words were not just chosen for their meaning but also for their sound, crafting verses that resonated in the ears and minds of readers. His prose and poetry bristle with humour, irony, and a sense of the absurd, which appealed to readers across generations. The way he twisted conventional language norms, combined with his innovative sense of rhythm, created a literary style that was bold and refreshing, setting him apart as a linguistic trailblazer in Bengali literature.


4. Key Works and Themes

Ray’s major works, including Abol Tabol, HaJaBaRaLa, and Pagla Dashu, reflect themes of absurdity, satire, and rebellion against conventional logic and societal expectations. These works introduced readers to a world where nonsensical characters and bizarre situations reveal deep truths about human behaviour and society. In a world that often took itself too seriously, Ray’s whimsical characters offered a break, while subtly challenging and critiquing societal norms.


In Abol Tabol, he used humour to highlight the absurdities of human nature, reflecting characteristics like vanity, greed, and pretentiousness in comical animal figures and nonsensical rhymes. HaJaBaRaLa takes readers through a surreal journey with characters who refuse to adhere to the rules of reality, embodying themes of curiosity and freedom from social conventions. In Pagla Dashu, Dashu’s eccentric and rebellious nature disrupts the order of society, mocking the conformity expected of individuals. These themes made Ray’s work timeless, as they resonate with audiences who value individuality, humour, and critical thinking.


Through the lens of Nigam Tantra, Sukumar Ray transforms simple tales into pathways of enlightenment, guiding seekers toward self-realization and divine insight.


Sukumar Ray, we find a master of paradox, one who used nonsense to speak sense, and humour to unveil truths. His unique ability to cloak the mystic wisdom of Nigam Tantra in simple, playful language reveals his depth as a thinker and spiritual seeker. By infusing his work with Tantric symbolism and archetypes, he created stories that entertain while quietly encouraging a shift in consciousness. Ray’s works, much like the Tantras, invite readers to experience joy, challenge reality, and discover the eternal truths hidden within the fabric of life.


As we read Ray’s verses, we are drawn into a playful dance with the absurd, a reminder that beneath life’s layers of complexity lies an unchanging core of truth. His work, therefore, is not merely literature; it is a spiritual journey—a pathway toward the heart of Bengali mysticism and a timeless invitation to awaken the magic within and beyond.


Ancient Bengali Tantric Wisdom through his beautiful creation

Nigam Tantra, an esoteric tradition rich in symbolism and secretive rituals, has long been part of Bengal’s spiritual fabric. This mystic practice employs imagery and sounds to awaken consciousness and transcend ordinary perception. Sukumar, steeped in the cultural heritage of Bengal, was undoubtedly familiar with these spiritual undercurrents. Although he wrote in modern, secular Kolkata, his verses reflect themes of cosmic play, self-inquiry, and liberation—pillars of the Tantric path.


Ray’s works are laced with allusions to the unity of existence, the illusionary nature of reality, and the paradox of divine humour. By embedding Tantric symbols in his characters, such as the bizarre creatures in Abol Tabol or the dreamlike figures in HaJaBaRaLa, he simultaneously entertained and mystified, creating literary pieces that resonate on both a surface level and a deeper, metaphysical plane.


5. Abol Tabol: The Quintessential Collection

Among Sukumar Ray’s works, Abol Tabol remains iconic, a brilliant collection of nonsensical poetry that is often compared to Lewis Carroll’s Jabberwocky in its sheer inventiveness. Each poem introduces readers to a surreal universe filled with strange characters, such as the Bombagorer Raja, the king of a mythical land, or the Bokachhora, a comical creature with baffling habits. These characters, despite being imaginary, often serve as parodies of real people or social norms. Through them, Ray questioned human nature, mocked societal rigidity, and celebrated the freedom of the imagination.


Through satire and whimsy, Ray deftly critiques the mundane, reminding us that true wisdom often lies hidden beneath layers of laughter.

A unique aspect of Abol Tabol is its appeal to all ages. Children are captivated by the humour and rhythmic language, while adults find hidden layers of satire and social critique. Through his nonsense rhymes, Ray playfully conveys wisdom, encouraging readers to see beyond the obvious and question societal conventions. The collection has an enduring charm that has preserved its popularity over the decades, making Abol Tabol a staple of Bengali literature.


6. The World of HaJaBaRaLa - Excellent Depection of HaJaBaRaLa Tantra

HaJaBaRaLa, which translates to “The Hodgepodge,” is perhaps the most surreal of Sukumar Ray’s works. This story takes readers through an extraordinary journey led by characters who have little regard for logic or coherence. Ray employs a stream-of-consciousness style, allowing the plot to meander without adhering to conventional narrative structures. The tale unfolds through bizarre encounters, nonsensical conversations, and absurd scenarios that defy rational interpretation.


In HaJaBaRaLa, Ray exposes the restrictive nature of logic and convention, suggesting that true wisdom and creativity lie in embracing the unstructured, whimsical, and imaginative aspects of the mind. The narrative structure subverts expectations, challenging the reader to abandon their preconceptions and engage with the story on its own absurd terms. This work has inspired generations of readers to think beyond traditional frameworks and to value creativity over conformity.


7. Pagla Dashu: The Mad Genius

Pagla Dashu, another of Ray’s famous creations, introduces readers to Dashu, a mischievous schoolboy with a penchant for creating chaos. Unlike other fictional heroes who strive to fit in, Dashu celebrates his eccentricity, openly defying societal norms and often making a mockery of authority. Dashu’s antics are humorous but also serve as subtle critiques of a society that prioritizes order and conformity over individuality and free thinking.


Dashu’s character embodies rebellion, representing a voice that refuses to be silenced by societal expectations. Through Dashu’s escapades, Ray explores the joys of freedom and self-expression, urging readers to question the structures that confine them. The character’s legacy endures as a symbol of the bold, questioning spirit, and Pagla Dashu remains a popular story for readers who enjoy tales of spirited defiance.


A master of paradox, Sukumar Ray uses nonsense to convey profound truths, proving that humor can be a powerful vehicle for spiritual awakening.

8. Influence of the Brahmo Samaj and Intellectual Circles

Sukumar Ray’s life and work were profoundly influenced by the Brahmo Samaj, a movement dedicated to social reform and intellectual growth. Founded by Raja Ram Mohan Ray, the Brahmo Samaj advocated for rationalism, equality, and the upliftment of Indian society from archaic customs. Ray’s association with this movement introduced him to progressive ideas that emphasized critical thinking and a rejection of superstition, values that resonate throughout his work.


The vibrant intellectual community in Kolkata fostered his creative pursuits, exposing him to Western literature and ideas that he would later adapt to suit Bengali sensibilities. These influences helped shape his approach to literature, encouraging him to tackle serious themes in a humorous, accessible manner. By blending satire with nonsense, Ray could critique societal flaws without alienating his audience, making his works enjoyable yet thought-provoking.


In the dreamlike landscapes of HaJaBaRaLa, we traverse the mystical journey of Gyangunj and self-discovery, where relative reality dissolves into cosmic play.

9. Sukumar Ray’s Legacy in Indian Literature

Sukumar Ray’s legacy in Indian literature is profound, as he helped establish a genre that blended humour, satire, and social commentary in an engaging way. His son, Satyajit Ray, carried forward his legacy, frequently acknowledging his father’s influence on his creativity. Beyond his family, Ray inspired countless writers, poets, and filmmakers who admired his ability to weave complex themes into simple, humorous narratives.


The universality of Ray’s work lies in its timeless relevance; his characters and stories speak to human experiences that remain unchanged across generations. His exploration of individuality, freedom, and creativity in the face of conformity continues to resonate with readers, making his works an integral part of Bengali literary culture. His contributions are celebrated annually in Bengali literature festivals, where his stories are revisited and his unique style is celebrated.


10. Conclusion: The Timelessness of Sukumar Ray

Sukumar Ray’s work transcends the boundaries of time and culture, remaining as beloved today as it was a century ago. Hishumourr, creativity, and wit offer a refreshing escape from the pressures of daily life, while his subtle critiques encourage readers to question and think critically. Through his nonsensical verses and eccentric characters, Ray redefined Bengali literature, inspiring readers to find joy in the absurd and wisdom in humour.


In a world that often feels overly serious, Sukumar Ray’s work serves as a reminder to laugh, question, and cherish the freedom of thought. His legacy endures, not only through the laughter of children but also in the thoughtful reflections of adults who continue to find inspiration in his work.


This article pays homage to Sukumar Ray’s genius, celebrating his contributions and timeless influence on Bengali literature. Let me know if there are sections you would like to expand further or specific details to include.




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